Following the commemoration of the 50th
anniversary of World Theatre Day, The Gambia Youth Actors Association
backed by the national centre for arts and culture on Wednesday 28
March held a forum on The Gambia’s theatre and drama at Alliance
Franco, with the theme: Taking Theatre into the Streets. The
objective of the forum is to create a platform and build a common
understanding between all stakeholders in the area of theatre and
drama to come together and work hand in hand with the national centre
for arts and culture in their drive to build a more viable and
productive artistic industry as opposed to the many years of its
existence.
Speaking at the forum, the chairman of
arts and culture Mr. Tijan Camara on his part commended the young
actors and challenged them including the theatre groups and other
stake holders to take the lead role in making drama and theatre
where it suppose to be rather than waiting for the arts council to
implement projects. “It is not the responsibility of the NCAC to
implement programs but rather to act as facilitators” he added
that, that is why different arts groups and associations come
together to organize themselves as an organized body so that the arts
council can come in guide them and connect them to enhance their
networking in getting the funds they need to implement their own
programs. “If you organize yourselves definitely you should be
running your own shows and then we will just be facilitating you, but
then again this can be done through unity, understanding, cooperation
and allowing one to lead while the others follow”. Mr. Camara
further lamented that, though the arts council was mandated to be
implementing and but their strategy as a new management is to change
it to being facilitators instead of implementing or executing
programs, because that is the only way to push the theatre and drama
in this country and the arts council don’t have all the hands to
accomplish everything on their own.
The forum which has attracted many young people from schools, art communities, drama and theatre groups, producers and other walks of life, gave an opportunity to learn about the history of drama and theatre in The Gambia to the surprise of many. Alhaji Sering Secka, one of the founding fathers of Banjul Drama Society formed in the 50s and the producer of “Rebellion” gave a rundown of the history of drama and theatre in The Gambia which goes way back in the 1920s in Bathurst when the level of illiteracy was very high and the colonial pessimists were at work to discourage the African cultural expression especially in many aspects of the mode of dressing and languages which the colonialist termed as uncivilized. “If we are not careful we will go out of track” he emphasized.
The forum which has attracted many young people from schools, art communities, drama and theatre groups, producers and other walks of life, gave an opportunity to learn about the history of drama and theatre in The Gambia to the surprise of many. Alhaji Sering Secka, one of the founding fathers of Banjul Drama Society formed in the 50s and the producer of “Rebellion” gave a rundown of the history of drama and theatre in The Gambia which goes way back in the 1920s in Bathurst when the level of illiteracy was very high and the colonial pessimists were at work to discourage the African cultural expression especially in many aspects of the mode of dressing and languages which the colonialist termed as uncivilized. “If we are not careful we will go out of track” he emphasized.
He further lamented on the importance
of theatre and the achievements registered in those days with the
inception of the Ladies Guild of Grace Drama Group, which was
officially formed in 1924 has helped promote Gambian culture, arts
and trade through drama and theatre to inform, educate and entertain
the masses. According to Alh. Secka, in 1938 the guild raised funds
for the refurbishment and extension of the Anglican school in Banjul,
and sponsored girls in school. “During colonial day, politicians
used to have drama groups to create awareness”
The new director of literature and
performing arts, NCAC, Sheikh Omar Jallow on his part, assured the
participants from the art community that the notion of arts council
not doing nothing is gone, a new management is now handling the
affairs with a new strategy and portfolio and are ready to throw
their weight on anyone who have a project towards the betterment of
performing arts or arts in general in this country. “I was one of
those sitting on the other side wanting to see to it that the Gambian
arts get to another level” said Mr. Jallow. He further explained
that the NCAC’s target for this year is to create a gainful way of
employment and that he will use his office to make that happen. “My
target is to create 500 jobs, and I want all the theatre groups to
move from theatre groups’ to theatre companies”. He further
praised the Gambia Youth Actors Association for this laudable
initiative and went on to say that he will see to it that 27th
of every month there will be such a forum like to assess the progress
of things.
Oko Drammeh, arts and entertainment
connoisseur /veteran Gambian music promoter dilated on the factors
affecting the country’s arts and entertainment players. Mr. Drammeh
pointed out that the lack of artistic knowledge and spiritual content
embedded in the Gambian works of art especially theatre and music
scene, is one of the key factors drawing the artist community back.
He further lamented that there should be cultural ingredients in the
works suitable for the international market.
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